architecture: March 2008 Archives

Ralph Rapson passed away this weekend at the age of 93. He left a 70 year legacy as an architect. Rapson studied at Michigan and Cranbrook (under Eliel Saarinen), went on to teach at the New Bauhaus at the Institute of Design in Chicago, and enjoyed a 30 tenure as dean of the University of Minnesota school of architecture. His buildings included embassies in Scandinavia and a variety of iconic buildings in Minneapolis. His work shares a similar legacy to that of Paul Rudolph and Kevin Roche--monolithic, 1950s-70s era buildings that have fallen out of favor but were still important. In Minneapolis, he designed the Cedar-Riverside housing complex (1973), the solid Rarig fine arts center on the University of Minnesota campus, and the newly demolished Guthrie Theater.

I have a long, personal relationship to the Guthrie. I worked there as an usher between 1988 and 1993, around the time the Minneapolis Sculpture Garden opened (it's now celebrating its 20th birthday). In a renovation for its 25th anniversary in 1988, the Guthrie had already lost many of Rapson's original touches, particularly to the facade-- the original facade is above. Still, the theater interior felt much like what the sketch above belies. I can still tell you that it seated 1441 people, that the colored seats made the house look full when it wasn't, and that nobody was more than 50-odd feet from the stage.

At Christmas a year ago, I went to the Walker Art Center, and both gasped and cried when I saw a backhoe through Rapson's original Guthrie. I still wonder why it had to be knocked down, why it couldn't be preserved. It was a special place and while I love the Jean Nouvel-designed building as well, it's sad to see Rapson's major work disappear.

He was active up until the end of his life -- in an Archinect discussion, someone pointed out that he was in the office on Friday, the very day he died. As Rapson said in an interview with the Minneapolis Star Tribune two years ago, "My attitude is well, why not just go on living doing the things I enjoy and live as fully as I can? Who knows what's going to happen? I hope I'm working right up to the last day, It ain't work - it's fun!" he said.

It struck me I've not posted the talk I gave at IxDA's Interaction 08 conference, titled Strategic Boredom. Some of what I had to say I'd published in an earlier blog post. Here, you can see the video.

Greetings from Austin! I've just arrived for South by Southwest Interactive. This marks #11 for me and the 10th year I've attended (as well as my 10th on the advisory board). It is my favorite time of year -- I'm delighted to be here and to be a part of it again

On Saturday March 9 at 11:30, I am moderating a panel called "Meet the Architects" -- one of the few panels that I can think of that's ever happened at the festival that deals with architecture not as a metaphor but as the actual practice. It's an idea that emerged out of a conversation Bryan Boyer started with Hugh Forrest, the conference director, a year ago, and that continued between me, Bryan, and Enrique Ramirez. The official description goes:

A new kind of digital practice has emerged. We see it in our buildings and our cities: new architectural interfaces, new communities, new ways of thinking about the physical world around us. In "Meet the Architects," we'll take on these ripples in physical architecture and urbanism. This panel tracks new directions in architecture culture at the intersection of digital, film and urban environments; architecture zines, blogs and communities; and architectural and urban research.
The panelists are an excellent bunch. We've brought together Bryan Boyer, who will soon graduate with his master's in architecture from the Harvard Graduate School of Design, John Szot, technical director of Brooklyn Digital Foundry, Mimi Zeiger, publisher of Loud Paper and an established architecture critic, and Enrique Ramirez, my classmate, a senior editor at Archinect and the figure behind Aggregat456.

As the panel approaches, I'll be posting information related to the conversation we have (images, recommended books and websites). If you're in Austin, do come. We'd love to see you.

What is Active Social Plastic?

Active Social Plastic takes on cultural ephemera, turning its lens to architecture, urbanism, design, interaction, landscape, music and literature, among other leanings.

Who's behind it?

It's Molly Wright Steenson's project. She is completing a Ph.D. in architecture at Princeton University. She is also an interaction designer and design researcher with roots in web, mobile and service design.

March 2008: Monthly Archives